When he flew to Delhi in the summer of 2005 Abbas Janmohamed was making his first trip to India, but in many ways he was catching up with an old friend he’d left behind.
Janmohamed was using a Shastri arts fellowship to pursue his passion for the tabla, the Indian percussion instrument he had started playing as a nine-year-old in Calgary. Within three years, his teacher advised him to go to India to continue his studies. “He said I would need to find an ustad—a master,” Janmohamed says. “There was nobody in Calgary with that kind of command and authority over the music.”